INT. STORY BIBLE — DAY
The bible
Characters, locations, timeline, threads and world rules. One living document per series, not a drawer of notes.
A series bible · one continuous draft
The writers’ room
never forgets.
Characters, places, timeline, threads and world rules in one living document. Submit an episode and the showrunner extracts new entities, checks continuity and flags Chekhov guns. Nothing enters canon until you approve it.
Scenes from the room
Everything the story needs, in one place.
INT. EPISODE EDITOR — NIGHT
The draft
Write episodes with live consistency warnings as you type. The room reads over your shoulder without taking the pen.
INT. CONTINUITY BOARD — DAY
The coverage
Broken rules, contradictions and impossible geography, flagged scene by scene before they reach the page.
INT. THREAD ROOM — LATER
The threads
Every open plot thread on one board. Plant it, pay it off, or cut it before the audience notices.
INT. EXTRACTION — CONTINUOUS
The new arrivals
New characters and places are proposed from your draft. They never walk into canon unannounced.
INT. CANON GATE — DAWN
The signature
Pending changes line up for approval. Canon is only what you confirm — the rest stays in the drawer.
Open a production
Start or reopen a series.
Create a bible here, or return to one by its production number. Both forms are live.
How the room works
Three acts, no filler.
Act one
Bible the world
Characters, places, timeline, threads and rules go on the page before the first scene is written.
Act two
Write the episode
The editor checks continuity as you type, so the room catches the break while it is still cheap to fix.
Act three
Sign the canon
Every proposed change waits for approval. Confirm it, reject it, or leave it in the pending drawer.
“You own the story. Episode analysis only proposes bible changes — nothing enters canon until you confirm it.”
The showrunner’s first rule
Fade out
Roll credits on inconsistency.
Bible the world once. Let the showrunner keep it straight.